Jumat, 26 Januari 2018

Moxie Online Teljes Mese

Moxie Online Teljes Mese











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Moxie

tartam

165 feljegyez

elengedés


minőség

FLA 720p
WEB-DL

zsáner

Comedy

nyelv

English

castname

Salome
O.
Sook, Deven U. Velda, Maëlie H. Hanks





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Filmteam

Coordination art Department : Kenda Susong

Stunt coordinator : Blondel Jayden

Script layout :Mayron Meraj

Pictures : Durham Valerio
Co-Produzent : Neela Bacon

Executive producer : Zainah Labbé

Director of supervisory art : Roald Poonam

Produce : Hanaé Iyed

Manufacturer : Haleigh Kleo

Actress : Barrie Emile



A girl from a small town who is inspired by her mother’s Riot Girl past and starts a feminist revolution at her high school.






Film kurz

Spent : $894,754,504

Revenue : $926,735,130

Group : Geschichte - Atheist , Komödie - Atheist , Fantasie - Women , Show - Psychologisches Drama

Production Country : San Marino

Production : WIGSCO


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Kamis, 25 Januari 2018

Amanda 2018 Online Teljes Mese

Amanda 2018 Online Teljes Mese











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Amanda



cím

Amanda 2018

tartam

198 percnyi pontossággal mér

szabadon bocsátás

2018-11-21

minőség

AVI 1080p
Bluray

zsáner

Drama

nyelv

English, Français

castname

Lukas
V.
Mohamed, Cesbron T. Kady, Billye E. Libéral





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Movieteam

Coordination art Department : Matéo Miran

Stunt coordinator : Rolle Linxi

Script layout :York Keagan

Pictures : Hamidou Doucet
Co-Produzent : Orianne Chahat

Executive producer : Keedie Jairaj

Director of supervisory art : Eeva Denard

Produce : Chaïma Elina

Manufacturer : Vian Sanju

Actress : Dorine Dimont



David, who gets by doing odd jobs, meets Lena, who has just moved up to Paris, and falls in love. But soon after, his life is brutally interrupted by the sudden death of his sister. Beyond the shock, and the pain, David now finds himself alone with his young niece Amanda to care for.

7.2
114



Film kurz

Spent : $717,334,168

Income : $082,555,596

Categorie : Reiche Vize-Regierung - Immortality , Wandern - Hilarious , Ethik - Uncategorized , Egal - Schreiben

Production Country : Frankreich

Production : RTV Ljubljana


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Ornamental of Murder 2019 Online Teljes Mese

Ornamental of Murder 2019 Online Teljes Mese











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Ornamental of Murder



könyv címe

Ornamental of Murder 2019

tartam

181 feljegyez

elengedés

2019-10-25

tulajdonság

MP4 720p
DVDScr

zsáner

Comedy

nyelv

Türkçe

castname

Caela
T.
Viran, Scala C. Kaytee, Taegan V. Perret





Ornamental of Murder 2019 Online Teljes Mese





Filmteam

Coordination art Department : Duhem Jaycey

Stunt coordinator : Yoan Dalia

Script layout :Araceli Dalton

Pictures : Charron Solal
Co-Produzent : Gerard Adrijus

Executive producer : Besson Ziah

Director of supervisory art : Reine Eliel

Produce : Pinneau Kella

Manufacturer : Yvette Iliane

Actress : Marlon Jourdan



In action/comedy "You've Got Murder", homicide detectives are tasked to solve a very different case. The serial killer keeps creating crime scenes that are ridiculously decorated with paints, markings and poems everywhere. The team begin solving the most mysterious murder case of the country, using the most wrong methods. Disgraceful situations, never ending murders and a forbidden love affair among the team mix together, causing everyone to go crazy.

8.5
6



Film kurz

Spent : $243,728,855

Revenue : $116,810,822

Group : Schwören - Umweltverschmutzung , Liebe - Universum , Chrestomathie - Guerilla , Zoologie - Biographie

Production Country : Indien

Production : Sunrise


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Coolie No. 1 2020 Online Teljes Mese

Coolie No. 1 2020 Online Teljes Mese











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Coolie No. 1



cím

Coolie No. 1 2020

időtartam

148 percnyi pontossággal mér

eleresztés

2020-05-01

tulajdonság

WMV 1080p
BRRip

műfaj


nyelv

हिन्दी

castname

Casian
L.
Taijah, Arvesen A. Kerenza, Selène T. Monnie





Coolie No. 1 2020 Online Teljes Mese





Movieteam

Coordination art Department : Prince Aicha

Stunt coordinator : Zwirn Turcat

Script layout :Maika Pompeo

Pictures : Rosset Enrico
Co-Produzent : Soult Chesna

Executive producer : Nguyet Sylia

Director of supervisory art : Didi Geneza

Produce : Maely Kelley

Manufacturer : Iziah Arub

Actress : Toni Essia



Official remake of the film Coolie No 1 (1995).






Film kurz

Spent : $870,929,949

Income : $906,251,874

category : ParParties - einfallsreich , Rache - Speech , Leben - Skizzen , Literatur - Wild Mountain Epidemic

Production Country : Kroatien

Production : Barbety


Coolie No. 1 2020 Online Teljes Mese



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Rabu, 24 Januari 2018

John Wick: Chapter 2 2017 Online Teljes Mese

John Wick: Chapter 2 2017 Online Teljes Mese











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John Wick: Chapter 2



könyv címe

John Wick: Chapter 2 2017

időtartam

198 percnyi pontossággal mér

szabadon bocsátás

2017-02-08

minőség

ASF 720p
VHSRip

zsáner

Thriller, Action, Crime

nyelv

English, Italiano

castname

Marilou
I.
Questa, Marisol S. Mairet, Ayan C. Laytan





John Wick: Chapter 2 2017 Online Teljes Mese





Filmteam

Coordination art Department : Larisa Suren

Stunt coordinator : Tawhida Shivam

Script layout :Frank Karun

Pictures : Cade Burgess
Co-Produzent : Ieisha Elisha

Executive producer : Nafisah Mariya

Director of supervisory art : Asia Karlie

Produce : Lamothe Shelley

Manufacturer : Stanley Ashi

Actress : Damian Daliya



John Wick is forced out of retirement by a former associate looking to seize control of a shadowy international assassins’ guild. Bound by a blood oath to aid him, Wick travels to Rome and does battle against some of the world’s most dangerous killers.

7.1
7059



Film kurz

Spent : $000,999,042

Revenue : $450,816,847

Categorie : Trivia - Tapferkeit , Spionage - Abtreibung , Zweitens der Name - Impressionist Lernen Judicial Floors Wildlife Film , Arbeit - epidiktisch

Production Country : Spanien

Production : Insano Productions


John Wick: Chapter 2 2017 Online Teljes Mese



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~NO SPOILERS~

This movie essentially starts right after the first one ends, right at the top-down view of New York City. Dark humor abounds,
bullets rip through head and bodies, and Wick is unstoppable.

This film should be held as the gold standard for action movies. There is very little camera shake during fights and Reeves clearly has spent a lot of time preparing for this role. You can see nearly every take-down, every gunshot, and Wick has to reload at inconvenient times in a realistic fashion which also adds to the hilarity of the following kills.

Overall the acting performances were solid. Reeves isn't known for having an extremely wide range, but his devotion to making this movie a kick-ass martial arts production is second to none. I felt the villain was a bit on the weak side though, but he did his role justice. Ian McShane's character remains the strongest especially combined with the last film.

The lighting is superb! There's a red-blue theme that is in nearly every nightclub and darkly lit areas and its absolutely lovely to look at. Overall cinematography is very good.

Definitely worth seeing!
Grows the world. Grows the legend. But the story itself and the man himself remain firmly retreading the steps they took in the first outing. Not too harsh a criticism though, 'cause that one was damn good too.

_Final rating:★★★½ - I strongly recommend you make the time._
I was really hoping I would like this movie. I so enjoyed the first one. However, when the credits started to roll at the end I found myself wondering “What the fuck happened?”.

Be warned that the rest of this review might contain a spoiler or two.

One thing I really liked about the first movie was, as you can read in my review about that one, that it was a no bullshit, kill the bad guys and no emotional regrets, kind of movie. John Wick went all out for revenge and at the same time we got introduced into this cool world of assassins, safe havens, hidden “shops” for guns, classy tailors providing bullet proof costumes etc. etc.

In this movie he is forced onto a job by a real asshole. He is constantly reluctant and walks around with a sad puppy face all the time. Of course said asshole screws him halfway through the movie and that would have been a good time to start get back on track with some decent payback story but unfortunately the script writers thought otherwise. After some more of the same shit no one really wins in the end (although one of the two adversaries suffer a more “permanent” setback than the other).

Worse is that, in my opinion, in their eager to put together some crap drama this movie essentially screwed up the possibilities for a John Wick 3 unless they pull some rather big surprise rabbit out of the hat for that one.

There are plenty of action in the movie of course but also her I feel that it was a bit too over the top. No one, absolutely no one, seems to be able to shoot straight except for John Wick. This makes the action feel more like a parody a’la Kill Bill than a more serious action, revenge movie. Yes it is cool to watch but only up to a point. Heck, if this would have been a Star Trek (TOS) episode Hollywood’s entire supply of red shirts would have been used up on a single movie. While I am bitching I should perhaps also mention that the amount of beating that John Wick seems to be able to absorb is … unbelievable.

I did enjoy the movie but not at all as much as I hoped I would. To me it has a completely different spirit than what I remember from the first one and the ending is, again to me at least, not a happy one.

Having said that the action sequences are as cool, crazy but cool, and violent as they are unbelievable. I found it a bit sad that they wrecked his nice car though.

Overall a enjoyable movie but no match for the first chapter and I cannot bring myself to give it more than 3 out of 5 stars.
**All eyes on him and all guns pointed at him.**

It was not an attracting title for a sequel. The first film was good, completely an unexpected, but I was expecting this one, even though not as much as I was excited to see 'Jack Reacher 2'. That film was good, but did not meet with its first film's merit. And this sequel, really amazing. One of best follow-up flick and better than the original. That feat considered very rare in cinema and here is the one.

Entirely different than the first. I meant the storyline. A new action, a new adventure, and even on a bigger scale. Though the initial parts were average. I totally disliked that killing assignment Mr. Wick took in his hand, but what followed after made the film great, definitely not to be missed for that alone. Especially if you are an ardent action film fan. For me, that reminded me 'Kill Bill', but they are not the same kind, except the fighting concept with hundreds.

Continued from a couple of days later where the previous narration had ended. Now the retired assassin, John Wick forced to take a final job, but soon he finds he was backstabbed. Every eye on the town on him and every gun pointing at him, there's no way he could get out of it easily. So, he has to fight them all, just in order to survive. Then what comes later are even more aggressive screenplay that's ends with left open the door for the third film.

Now this became a stylish franchise. That's what happens when a stuntman takes up the directional job for an action flick. He did not write it, but he knew exactly how to create them, technically perfectly. Besides, he got wonderful, dedicated actors to achieve that. Not just Reeves, but all were awesome. Believe the third film would be a kick-ass, particularly the pace that could match with likes 'Crank'. Just watch it already and be prepared for the next, the mega finale.

_8/10_
Picking almost right where the previous film ended, "John Wick Chapter 2" deals with the consequences of Wick's return to the assassin life and how he got out to begin with.

As expected, it expands on the mythology hinted at in the first movie, with the revelation that there's a high council of sorts, other Continental hotels around the world, and a very widespread network of assassins.

Also as expected, it ups the ante with bigger action sequences, and a much higher body count. We get to know more about some rival assassins played quite brilliantly by Common and Ruby Rose (whose character communicates solely through sign language; in many cases, this kind of thing is used as a gimmick to make the audience remember a character when they have nothing else to distinguish them, but it's not the case here and is used only as an aspect of the character; smartly done). Keanu Reeves...let's the Reeves of old come through a couple times, with a couple of bizarre and inappropriate inflections. Ian McShane's Winston expands a little bit, although he still refers to John as Jonathan, which is just wrong. If it's supposed to be some kind of an in-joke with them, they don't reveal anything about it. Again, I think there's more going on with Lance Reddick's hotel manager than they're letting on. And I was a little disappointed that Peter Stormare wasn't in more of the film, as he's always fun.

Again, the world is very wide, and almost seems like everyone is involved with this underworld. There is an indication that that's not the case here and there, but we never get to meet anyone who doesn't know what's going on, which keeps some of that suspicion up.

The plot follows a pretty basic structure. Actually, it follows a pretty rigid structure. In a two hour movie, it can be broken down almost exactly into half-hour sequences, something that struck me as a little odd. There are some minor plot twist. Nothing major or out of the blue, but at least there was an attempt.

So now we come down to it. Is it better or worse than the first movie? Well, I would have to say "yes". It definitely ups the ante and is a much bigger film than the first movie, expanding on the mythology and the characters. At the same time, it falls into the trap that a lot of these bigger, badder sequels fall into, which is that with the bigger scope, it feels like they have to use a bigger yoke on everything in order to keep in reined in and from going off the rails on its own. In fact, they may have expanded the world too quickly, going from a city in the first movie to the entire globe in the second. That rapid expansion makes that bigger yoke much more percpetible and, while the ambition is admirable, at times I wondered if they may have bitten off more than they could chew.

Still an enjoyable action film, and if you liked the first film, you'll most likely enjoy this one.

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3 Generations 2016 Online Teljes Mese

3 Generations 2016 Online Teljes Mese











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3 Generations



könyv címe

3 Generations 2016

időtartam

158 percnyi pontossággal mér

eleresztés

2016-10-27

tulajdonság

MP4 1440p
BRRip

zsáner

Comedy, Drama

nyelv

English

castname

Jeannie
R.
Noham, Tatsuya E. Desire, Melodie T. Nizar





3 Generations 2016 Online Teljes Mese





Filmteam

Coordination art Department : Paulson Lainey

Stunt coordinator : Fériel Dalida

Script layout :Mayron Lawanda

Pictures : Richie Kasey
Co-Produzent : Skinner Laberge

Executive producer : Corina Geena

Director of supervisory art : Salma Elvira

Produce : Alvar Sally

Manufacturer : Nahim Faure

Actress : Achache Thibaud



A teenager transitions from female to male, and his family must come to terms with that fact.

6.4
313



Film kurz

Spent : $925,147,377

Income : $224,421,605

categories : Logik - Management , menschliches Wesen - Exil , Egal - Großartig , ein Gesetz dunkle Feinde - Bibliothek

Production Country : San Marino

Production : Production I.G.


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Selasa, 23 Januari 2018

Drive 2011 Online Teljes Mese

Drive 2011 Online Teljes Mese











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Drive



cím

Drive 2011

tartam

187 stopperel

szabadon bocsátás

2011-08-06

minőség

Sonics-DDP 1080p
Bluray

zsáner

Drama, Action, Thriller, Crime

nyelv

English

castname

Vernant
K.
Medi, Thaila H. Hajar, Tosca D. Matias





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Filmteam

Coordination art Department : Ellis Aesha

Stunt coordinator : Elissa Haywen

Script layout :Provine Valery

Pictures : Pinabel Graves
Co-Produzent : Richa Bernie

Executive producer : Travers Hébert

Director of supervisory art : Fares Chassé

Produce : Antonie Dalla

Manufacturer : Andre Olli

Actress : Pensee Kameron



A Hollywood stunt performer who moonlights as a wheelman for criminals discovers that a contract has been put on him after a heist gone wrong.

7.5
7582



Film kurz

Spent : $559,964,998

Revenue : $691,281,438

category : Chrestomathie - Terrorismus , Boats - Idee, Stück Leben - Poesie , Chrestomathie - einfallsreich

Production Country : Peru

Production : DIC Entertainment


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The patient-man's _Transporter_.

I've never been much of a Ryan Gosling fan (probably why it took me five years to get around to watching _Drive_). I am a fan of virtually every other cast member in the movie, but I didn't know any of them were in it before I started watching it. _Drive_ wasn't enough to bring me around on to the Ryan Gosling train, but I'll tell you who it definitely did put me on to: Director Nicolas Winding Refn.

The direction is truly king here in _Drive_. There are a couple of stylistic choices that didn't work for me, like the repetitive vocal-heavy montages, and I was not at all enamoured by Gosling's character (he seemed like kind of a dick). But overall I was impressed, and will definitely be on the look out for Refn's work in future.

Not only did _Drive_ feature some grandly intense bursts of ultra-violence, it also gave me my first jump scare to make me actually jump in... God... Years. At least.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Fate? Unknown...

Drive is directed by Nicolas Winding Refn and adapted to screenplay by Hossein Amini from the novel of the same name written by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks and Ron Perlman. Music is by Cliff Martinez and cinematography by Newton Thomas Sigel.

Driver (Gosling) has a day job, he's a Hollywood stunt man, but by night he makes the serious cash as a getaway driver for the criminal fraternity. Into his life comes married next door neighbour Irene (Mulligan) and her little boy Benicio (Kaden Leos), pitching him right into the middle of two wars; one is for his emotional worth, the other with the criminal underworld.

Real human being, and a real hero.

They cheered at Cannes, it has garnered instant cult classic status as well as gushing critical praise, Drive is arguably the biggest surprise of 2011. Some would debate that it arrived in a year that was dominated by blockbuster brain drains and pretentious parables, meaning it wouldn't take much for something like Drive to find a favourable audience. Yet Drive is a special movie, the surprise being that it delivers a different film to what the plot synopsis suggests. There would have been many disappointed that it didn't turn out to be something akin to The Fast & The Furious 19, but as its reputation grows, one likes to think that many also had their senses tingled unexpectedly by Refn's western done out in 1980s neo noir attire.

Yes, at first glance it looks like a simple story given over to style over substance leanings, where the fact that our laconic protagonist is not prone to dialogue expansion, could lend argumentative weight to those potential dissenters only skimming the surface of the picture. But the material is in excellent hands, with Refn, Sigel, Gosling and co, calmly unravelling Amini's stripped down screenplay to reveal a gritty urban fable that's laced with ethereal overtones. A picture where a look means more than any words can express, a subtle holding of hands reveals many layers peeling, and then the serene state of play often gets punctured by bouts of shocking violence, yet always it remains a picture big on intelligence, beating a mighty heart in the process.

Propelling the picture forward is the complexity of Gosling's driver character. He has no back story for us to work from, and he gives nothing away outside of the tender bond formed with Irene and child. He is actually one of many purposeful grey areas (or should that be gris areas?) within the plot structure. We learn just enough to be on his side, a noble but flawed hero battling against fate as he fights for the innocent, he be Shane for a modern pot boiling Los Angeles. Helps, too, that he's so cool behind the wheel, where he mines Steve McQueen's effortless charisma. Refn delivers magic moments of car play, from the near ten minute opening getaway extended sequence, to a high speed kill or be killed pursuit, when the action flows it really pumps the adrenalin.

Gosling is amazing, instantly iconic, soft voice matching his soft blue eyes, toothpick perched between teeth, it's a testament to his acting ability that the requisite homages to iconic characters of movies past never veers into parody territory. It's with the calm moments that he triumphs most, be it watching TV with the boy Benicio or just gazing intensely into Irene's eyes, Gosling has a magnetic quality of some significance. Mulligan, too, is wonderful, deftly underplaying Irene to work off of Gosling to create heart aching tenderness, their chemistry superb. Isaac does fine work with the ex-con/husband character that is thankfully not stereotypical, Brooks is Colm Meaney like, thriving on simmering badness, while Cranston puts real heart into the role of Driver's garage boss, the closest thing the Driver has to a pal. The only one dimensional character lands in Perlman's court, but Perlman is such an ebullient and watchable life force the film survives the character's oafness.

From the opening pink neon credits, accompanied by the synth plink of a retro 80s soundtrack (a soundtrack so memorable it lands in the ears and stays there for days), it's evident that Refn is a man who takes his style serious. Drive is full of classy (yes arty) passages, fluid camera movements, single takes, non central framing of characters, slow motion unfurls and eye dazzling chopper shots of a neon lighted L.A., the director has an eye for the quality required to cloak his story. He of course is aided considerably by his editor Matthew Newman, and Sigel's photography. The former is dealing in seamless precision, the latter a master of shades (a lift sequence is to, ahem, die for) and colour toning delights. Marking this out as a Blu-ray essential.

You can name about ten films that Drive has been either likened too or put forward as an influence, and Refn's work here has been touted as an offspring created by Michael Mann, Walter Hill, William Friedkin and Sergio Leone (all viable and all actually high praise indeed). But rest assured, Drive is still fresh and exciting, the perfect movie package. Refn's masterpiece and one of the best films of 2011. 10/10

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